Facial Recognition

The work in this category reflects on the genre of portraiture. Although evoking our collective analog past, these works discuss our technological present. Symbols become substitures for facial features. An overabondance of facial expressions creates a frustrated response. A conflict develops between our public and private lives. Communication is obstructed rather than clarified.

INVENTORY

2016-present; Watercolor on ceramic alumina, 3D printed resin frames; 50 paintings, each 5” diameter.

EYE CANDY

2017; Watercolor on ceramic alumina; 8 paintings, each 5” diameter.

THE EMOTIONS, OR…

2009-2011; Watercolor on ceramic alumina, frames, watch crystals; 42” x 234”; 80 paintings, each 1-1/2” diameter. The full title of the installation is shown in the photo to the right.

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EMOTICONS

2008; Oil on steel; 12 pieces, each 6” diameter; Dimensions variable

ARTIST EMOTES

1992; Oil on copper, wood, wire, glass, plaster 18” x 174” x 6”. 10 paintings, each 3/4” x 3/4”.

SMILEY

1999; Oil on wood; 24’ diameter.

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Mythology